|
The main temple devoted to Lord Vinayaga is probably the oldest Ganapathy temple in Tamilnadu as Ganapathi worship in other places has commenced only after the Pallava periods, much later.
The installation of Ganapathi Idol was in open probably under the shades
of Arasa maram & Vembu as was the practice in early days.
None of the idols had any roof to cover them in those days. The practice
is continued even to day with respect to many village deitys such as
Madan, chattan, Munisamy and various female deities. In later
development the temple was constructed with only Ganapathi Sanctom
sanatorium and Arthamandapam in the beginning. Ukrama Pandian has
constructed the present form of other sannadhis for Kalastheeswarar,
Kalyani Amman etc later, as the pattern of constructions reveal. A
deity in the form of vishnu was also worshipped by the brahmins within
the precincts and later removed to a separate temple.Majority of
brahmins brought in from Narmada were Vaishnavites (People worshipping
Vishnu) indicated by the Vishnu temples all along Thambraparni
river banks installed by them . The sandyavandanam prayer is also
directed to Vishnu. and probably reveals that all brahmins were
vaishnavites in the beginning.
The present day
Mahamandapam along with the Sivan & Ambal sannadhis are one time
extensions. The so called Rayar Mandapam ( West of Kodimaram&
Balipeedam) looks to be a separate extension probably during the
period of Krishnadeva raya. A statue of Anjaneya is carved in one of
the pillars and is found no where else. Subsequent mandapam extensions enclosing Dwajasthambam, Bali
peetam etc is known to have been done Naicker dynasty and installation of Bali peetam
Dwajasthambam etc have been done by Ponnambala Thambiran of Thiruavaduthurai
Atheenam, who have played a major role in renovating Saiva
temples in this part of the country. The Adeenam had a mutt in the village called the
Easana matam . Three descendants of the mutt namely,Muthiah Thambiran, Veliah Thambiran
& Ponnambala Thambiran have lived in the village. They have also regulated the and
organised the festivals in the temple. The second day festival of the
Chitrai festival and the first day of Navarathri were conducted from
the contributions from the mutt. The statues of these Thambirans are
available in the temple precincts. They have also contributed in
decorating the deities. The State scholar of Veerapandia
Kattabomman has sung a song on the contribution of the ratham by
Thandavaraya mudaliar. Vahanamandapam was another subsequent
addition.. In recent times (1983) renovations have been done , open
spaces roofed around prakaram etc but no new constructions were added.
Available records show
Kumbabishekams have been performed in 1913, 1924. 1945 and 1983. The
temple is under the control of Hindu Religious Endowment department
and administered by a Executive officer functioning from Authoor.
During the Kumbabishekam
in 1945, a new idol in Panchaloka, being a Utsavamurthy of Pancha mukha
Vinayaga was installed. The piece is a very rare art piece only one of
its kind , with five faces on the same plane. Ten arms carry different
mudras and ayudams. The deity is in standing / dancing form. The dyana
sloka of the deity resembles that of Heramba Vinayaga The Panchaloga
Idol of Lord Nataraja of this temple is an unique one having Makudam (Kreedam)
on his head as different from Jadamudi or virichadai in other idols.
Moreover the Thiruvachi of this idol is separate and detatchable.
Probably this indicates the olden days of this idol when the complicated
casting technology for the combination was not available.
Annual festival is being
celebrated in the month of Chitrai. Lord Vinayaga in different vahanams
bless the devotees on first four days. On the fifth day Lord Shiva
and Ambal in Rishabha vahanam and Vinayaga on Mushika vahanam decorate
the streets. On the seventh day as is practiced elsewhere, Lord Nataraja
steels the show in Thrikala puja. The speciality in our temple is that
Lord Panchamuga Vinayaga joins Lord Nataraja on these occasions. The
festival closes on the tenth day with car festival.. Till around
forty years ago, Annadanam in large scale used to be custom on all
festival days. A separate kitchen was available for this purpose on
the North west corner of the temple. A separate Murugan sannadhi with
panchaloka statue of Lord Subramania, Valli & Deivayanai was also there
, now the statues are shifted to inside . The lads of the village
used to enjoy the serving of food to the devotees who sit on the
prakarams around the temple.
Chathurkala puja as per
the Agama sasthras is being performed with heriditory Shivachariars.
Donations from public plays a major roll in financing the activities .
The annual festival in the month of Chitrai is being organized by the
local public from funds collected from philonthrapic individualls,
organizations and institutions.
The
erstwhile
custom of
distributing food pockets to the Paradesis from the temple and funded
by the village administration was also discontinued in the recent past.
The temple records
indicate donations from various people.
The Chapparam for Lord
Natarajar is probably the biggest in the district measuring about 9 ft
square with a height of 9 ft. This is clad on outside with brass
plates. Lots of bells are hung within. This is contributed by Sri.
Vadamalaiappa pillai. The thandaudham for this was specially brought
from ceylon , donated by Swaminatha Pillai A pallaquin was donated by
the King of Travancore.
Sri Sundaramurthia pillai
also contributed for the construction of the ratham.
The vinayagar temple is
situated on the (bindusthanam) centre of the triangle formed by the
three kaval deivam, namely Ilayanainar, Thoppachi Amman &
Sudalaimadan on west, North & South. This is a rare phenomena as the
mulasthanam for Vinayaga is on the centre of basic triangle.
Offering of One hundred
and eight or one thousand and eight coconuts is a special feature in
this temple wherein the Vinayaga is known to be varaprasathi. Such
offerings frequent almost every day.
Lighting of 1008 deepams
or part of it has become a new form of worship that has come to stay in
recent days. This is done on all Amavasyas and specific days as part of
Prarthanas.
|